The Billboard Hot is a chart that ranks the best-performing singles of the United States. Its data, published by Billboard magazine and compiled by Nielsen SoundScan , is based collectively on each single's weekly physical and digital sales, as well as airplay and streaming. At the end of a year, Billboard will publish an annual list of the most successful songs throughout that year on the Hot chart based on the information. From Wikipedia, the free encyclopedia. Retrieved December 6, Billboard Year-End Hot singles. Categories : record charts Billboard charts in American music. Namespaces Article Talk. Views Read Edit View history. Help Community portal Recent changes Upload file.
Songs by Lewis Capaldi, Lil Nas X and Billie Eilish were among the biggest of 2019.
The past and the future combined in , a year of satisfying comebacks from veteran artists and exciting breakouts from newer ones. Read the list below, with a Spotify playlist of all at the bottom. An unlikely combination of three very different alt-leaning acts, "I've Been Waiting" is far more seamless than it has any right to be, finding common ground in the artists' shared pop sensibilities. As it toggles between vocals from all three, it's impossible to tell where the verses stop and the chorus starts -- it's all hooks, really, a song where every part feels like That Part. In a more just world , this would've been the song to get the late Lil Peep his first Hot top 40 hit. Now please, get off his lawn. There are a lot of "what ifs" when a relationship ends, but the title of Lady Antebellum's latest heart-wrenching hit has to be one of the scariest. The song -- which recalls the same yearning tone as the country trio's breakout single "Need You Now" -- perfectly captures that fear of the unknown, thanks to Hillary Scott and Charles Kelley's hopeless harmonies. We all know the desperate feeling of struggling to move on, and we all should know there's a light at the end of the tunnel eventually
You can listen to all songs that were voted for in our playlist. Mon 2 Dec M ore than 50 Guardian music writers were polled for their favourite albums and tracks of the year, and a bewilderingly complex spreadsheet was created to tally their votes. For the Serf s Up! Her incitement to cunnilingus is admirably casual, but Missy Elliott steals the show with her menagerie of purrs and trills. Even as Lykke Li catalogues the torments doled out by her would-be lover, the distant steel pan chime, sparkling disco chorus and sugar-spun melodies maintain the glimmering mirage of possibility. Motivation is the pop equivalent of an Olympics-winning gymnastics routine: Normani serves take-it-or-leave-it cool, effortless vocal workouts and nonchalant cheerleader authority on the Ariana Grande co-write. The former Fifth Harmony member swiftly establishes her own brand of excellence, and demands that lovers and fans alike recognise her game.
The fact that The Highwomen even exists is impressive. They make that statement over an unabashedly pretty melody, going in and out of duets and harmonies with seamless, generous sweetness. Carly Rae Jepsen has built a cult following on the power of her brand of pure, heart-on-your-sleeve pop. Her widely-praised third album was even nakedly called Emotion. Bandana , the widely acclaimed album from rapper Freddie Gibbs and producer Madlib, was forged in trying circumstances: Gibbs says he wrote most of the record in an Austrian jail while awaiting his eventual acquittal from sexual assault charges. And that something is a propulsive, infectious disco sensibility.